...hinreißende Anna Virovlansky als Pamina... weitere Pressezitate auf Deutsch
Fidelio Beethoven, Marzelline (2013)
"Anna Virovlansky, as the prison-keeper’s daughter Marzelline, sung with faultless precision and bite, giving the coloratura knife-edge accuracy, while always maintaining her beautiful tone." Link
"Anna Virovlansky reveals a melting lyric soprano as Rocco’s daughter, Marzelline" Link
Siegfried / Waldvogel, Bayerische Staatsoper München, 2012
"enchanting", Frankfurter Allgemeine Zeitung FAZ
Orlando /Angelica , Bonn, Oktober 2008
Darling of the Bonn opera...
Kölner Stadt-Anzeiger 21. Oktober 2008
... very attractive ... vocal ease, deep sensuality and natural body language ...
Das Opernglas 12/2008
Un ballo in maschera / Oscar, Bonn, September 2008
The greatest applause was for Anna Virovlanky, who, with her featherlight vocalising, gave Oscar an irresistile charm
Bonner General-Anzeiger 9. September 2008
Anna Virovlansky with burning sexuality
Express, Bonn, 9. September 2008
Le nozze di Figaro /Susanna, Bonn, January 2007
-a star is born -
Westdeutsche Allgemeine Zeitung 27.1.07
General Anzeiger, Bonn 29.1.07
Der Rosenkavalier /Sophie, Bonn, September 2006
...a picture of a Sophie...
wonderful, the strong and wonderfully singing Sophie of Anna Virovlansky
Mozart/concert-arias, Kölner Philharmonie, February 2006
A shootingstar - the opera house of Bonn may be congratualted on this talent.
R, 7. Februar 2006, Curt J. Diederichs
Die Fledermaus /Adele November 2005
More than convincing: Anna Virovlansky as the ambitious maid Adele. She is the leading character of this spectacle.
27. November 2005 Feuilleton für NRW
Fidelio / Marzelline September 2005
The discovery of the evening was Anna Virovlansky….magically compact soprano, who was exhilaratingly lightly and warmly engrossed in her role.
Opernglas B. Kempen, 11/2005
…Dazzling soprano with a totally natural sensuality.
Bonner Generalanzeiger, 27.9.2005
Beautifully and sentimentally sung
Kölnische Rundschau, 27.9.2005
A real revelation of a warm, lustrous, girlish, beautiful voice is the Marzelline from Anna Virovlansky. Hier is a great talent maturing, from which one would like to hear more.
Kölner Stadtanzeiger, 27.09.2005
...a diamond, ... somehting very perfect ...
Ulrike Gondorf, Westdeutscher Rundfunk 29.09.2005
Die Zauberflöte /Pamina February 2005
A brilliant performance from Anna Virovlansky in her debut as Pamina. She created with her wonderful, flexible lyric nuanced soprano, a believable figure, between hope, fear, disturbing emotions and deep disappointment.
Bonner Generalanzeiger, 14.02.2005 Mathias Nofze
Don Giovanni/Zerlina April 2005
A wonderful soubrette, light and touching as Zerlina
Kölner Stadt-Anzeiger 19.04.2005
..most of all the absolutely enchanting yet mature Anna Virovlansky as Zerlina...
Kölnische Rundschau 19.04.2005
Highpoints (...) Anna Virovlansky, whose Zerlina sparkles
Bonner Generalanzeiger 19.04.2005
A Zerlina to die for
...Earns for her coquettish Zerlina and her wonderfully bright soprano an extra point.
Frankfurter Allgemeine Zeitung 22.04.2005
A real discovery ist the Israeli soprano Anna Virovlansky. Her multifaceted soprano was shown to best advantage in „Les filles de Cadix“ Kölnische Rundschau, 21.9.2004
Highpoint of the evening
The young soprano has a delightfully soft, yet touching voice. With great feeling and excellent accentuation, plenty of volume and above all superb diction, she is able in the first few bars to charm the audience..
Die Rheinpfalz, 30.12.2004